Read about Coordinating Curator for Native American and Indigenous Materials Kimberly Toney's (Nipmuc) visit to Wallmapu for the 2026 conference of the Native American and Indigenous Studies Association (NAISA).

Driven by a lifelong commitment to educational equity, the Class of 2026 graduate and Fulbright scholar will spend a year teaching English and developing community-based service projects in Mexico.

Linford Fisher’s work on the project started with considering New England’s connection to the Atlantic slave trade.

In a night of song, dance and storytelling, the student organization’s sold-out celebration explored the enduring legacy of the paniolo and the richness of Hawaiian culture and traditions.

The joint project of repair will bring together resources, programming and services focused on mental health, psychological wellness and ensuring a sense of physical security for the Brown community.

"I think of craft as allowing your hands to speak before your mind does. It's allowed me to navigate the world in a slower, kinder way." –Eric-Paul Riege (Diné)

In this video, weaver and fiber artist, Eric-Paul Riege, and Associate Curator at the The Bell / Brown Arts Institute, Thea Quiray Tagle, discuss how ojo|-|ólǫ́ – Riege's largest institutional solo show to date – came to life at The Bell.